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Good King Friday – The Moon is a Balloon

Good King Friday formed after members of classical group the Los Angeles New Music Ensemble met some long-lost friends at a show in Silverlake, CA. Ever since, they’ve been very successfully writing symphonic rock together. Released in October 2011, their self-titled album is a breath of fresh air that will knock you flat on your back.

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It’s a combination of intelligent writing, really progressive classical music, and a pop-rock sound, which you can probably already tell I am finding hard to categorize. It’s just Good King Friday, pure and simple.

Joining the Fish Pond family in March 2012, they are characteristic of the global concept we represent. With lyrics from Matt Kolbet, their ranks are made up of Canadian Patrick Conlon on violin and vocals, Chicagoan Audrey Snyder on cello, L.A. girl Christina Giacona on guitar, clarinet, and vocals, her childhood friends, siblings Kelly Caswell on lead vocals and piano, and Chris Wakelin on drums, and their school mate from Valencia, CA, Nathan Caswell on bass and vocals‚ by the way married to Kelly, and also Matt’s brother in law. This is the family that makes up GKF.

Beginning with “I am Not the One”, we’re already treated to the kind of really tight, classically trained style which you can expect from the band’s quirky, changing tempos, from the best I can make out, from 7/8 time back into 4/4, and an exquisite journey in some really soaring vocal harmonies. The string parts make the best of the violin and cello, and are as symphonic as their orchestral backgrounds.

“Who Knows If the Moon’s a Balloon” has a great video on YouTube which you should check out whenever you get the chance http://www.youtube.com/watch?v=nlMF76OKUtg. It’s a beautiful exploratory lyric, simple, romantic, bringing a little welcome clarinet into the mix for good measure. Good King Friday have this excellent habit of allowing you to focus on the music by repeating lyrics rather than making them over-complex; it’s a great idea, because to be honest there is so much to enjoy in the music and the voices they bring to the mix without overly focusing on the message

“Day After Day” is my favorite of the lot. It’s truly progressive neo-classical pop-rock at its very best, and as my musical heart is deeply rooted in punk rock, metal, and classic rock, with some even longer-ago ties to classical music, the superbly rangy and massive chorus really gets me lost in the moment; once again with the repeated lyric, so that I can focus on the collective, the build is immense, using to good effect some age old rock techniques with that amazing symphonic edge to it. And by the way, the arpeggiated ending to the song, ending with a real classical bang, is so much appreciated.

“I Know” shows how much fun these friends are having in their music. Here’s your chance to see them all in action, with, in my opinion, one of the best and freshest music videos I’ve seen in a long time – http://www.youtube.com/watch?v=JmBFw_Bf__g it’s just so much FUN‚ all pinks, reds, blues, and a fabulous start as they all come to life one by one; check it out, you won’t be disappointed. Such a well-observed and witty truism as well. You can also watch it here.

“Romance” did not make the album, but you can find it on the site. I wanted to review it anyway, because it runs a very close second for me with “Day After Day”. It’s the ballad of the bunch, and is beautifully written around a simple piano and string backing, with a vocal melody that will get right to your heart.

“Together we make sense out of all of this crazy world;
Taking in the flowers, staring at the sun”.

It’s everything that is musically wonderful about Good King Friday, with all of the emotion and lyrical content to be able to lose yourself in the song.

I’m so very glad to have found this happy bunch of very talented, very qualified, unique musicians. I’m sure we’ll be seeing a lot more of Good King Friday in the coming years. In the meantime, check out the above songs by buying the album on iTunes from Onyx Lane Records – here – and also check out their profile, and leave a comment, here.

By David Mark Smith
Global Musicians Fish Pond

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Jonina – You and Me

Jonina Aradottir is every definition of a beautiful soul. With a voice like a gentle breeze, she fills every corner of the room like an echo from an angel.

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The talented singer/songwriter was raised in the southeastern countryside of Iceland, where she began to develop into the musician we have come to know and love today. She combines the skills she learned studying her art at Songskoli Reykjavikur’s most prestigious vocal school, and abroad studying studio techniques and guitar with Den Rytmiske Hojskole in Denmark, with her original twist, to bring you a beautiful style of musical craftsmanship.

One of my favorite songs of Jonina’s, (and the subject of this review) is ‘You and Me’.

With this heartfelt, guitar-based ballad, she takes you on a journey to a feeling of pure love and joy. Slow; like a lullaby, the song begins. You will most likely find yourself closing your eyes, swaying side to side, and by the second chorus; singing along. The verses are so honest, like they were plucked right out of a memory and placed into the song. Flowing with dreamy ease into the chorus;

“Do you wanna take my hand?
Do you wanna be my man?
Walk beside me till the ends of time,
and it will be,
just you and me.”

There is no need for any additional musical build, Jonina does everything the song needs vocally. Beautifully simple in the guitar, with a skilled finger-picking style that runs throughout, there’s plenty of room for her voice to shine; and by the second chorus she does just that. Voice ringing out; she demonstrates her vocal range, completely enveloping you in the lyrics, she reaches the peak of the song as she sings the catch phrase:

“you and me, just you and me.”

Then drifting back down almost into a whisper, she does a perfectly executed fade-out of guitar and vocals, finishing just as wonderfully as the song began.

If Jonina can evoke this much honest feeling and emotion from just one ballad, you can only imagine what she’s capable of delivering with an album. She is a joy to watch blossom and grow. A true musician and artist.

You can hear more from Jonina Aradottir here.

By Pranam Bai Richter
Head of Global Publicity, the Fish Pond

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Josh Doyle – I Figured the World Out

Josh Doyle is unique; watch and listen to his latest material, and you’ll see an artist with an enormous passion for the songs he creates and performs; a guitar style which is superb in it’s intricacy; a history including four top 40 singles in the UK charts in the early 2000’s and supporting Bon Jovi at Wembley Stadium; and a body of work which has Billboard Magazine touting Josh as “…the next big thing on an international level”.

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“I Figured the World Out”, Track 6 on Josh’s 2012 self-titled album release, which you can find here, is in its entirety a study in how a really talented singer/songwriter and guitarist can excel. With a guitar part which defies the hand-span of most, and a lyric which is both thoughtful and emotional, it’s a number which will show you exactly why he won Guitar Center’s 2012 Singer Songwriter Competition.

You can view the video below as you read, if you want to follow the song along.

Leaping into a beautiful acoustic guitar lick from the beginning, it’s a rhythmic and melodic start to a really catchy number. There’s no doubt from the very start of the vocal that it’s the Josh Doyle we all know and love – he has a voice that’s impossible to forget from when I first heard him in the early 2000’s;

“Got the fence surrounded, snipers on the roof,
Copters buzzing frantic, sights on me and you”

There’s just enough gravel in that voice to cement the knowledge that he’s passionate on the subject. Then into that glorious first chorus; kept nice and low to allow for build later in the song, it’s catchy as hell;

“Can’t you see you’re all I’ve got?
All that I can’t live without,
While you were sleeping,
I figured the world out, I figured the world out”

The lyric needs thinking about – the second verse giving us a beautiful pass into the second chorus, which is Josh at his all out best. Demonstrating the best of his range, he let’s the second chorus fly with an angst and passion which will drag you right into the heart of the song.

The bridge is once again both lyrically and musically intelligent, stepping the song up another level, and this next is the one lyric that has really stuck in my mind since I first heard the song;

“And all my dreams have failed me like election night promises,
My enemies invade me like a thousand doubting Thomases”

Brilliant; clearly it’s an emotional build; I wonder how he gets through an entire set in an evening with the obvious outpouring of feeling, technique, pure gritty vocals, and energy which go into just one song (and his video catalog bears witness to the fact that he’s completely committed to the audience in effort and sheer raw performance every time).

Leaving himself room for a last chorus which is like a shout of pain, and an instrumental outro which winds the song down beautifully, Josh deserves that wry smile which he allows himself at the end of the video. Frankly he knows it, and we know it; as musicians go, he’s in a league of his own.

Josh is also a particular favorite, not only because he’s a decent down to earth bloke, but because of his ground-breaking self-funded tour of the UK in 2009. In 2009, his EP ‘Values and Virtues’ was released independently, and with the proceeds of sales, he required no label or sponsorship, paving a new road for Indie artists with a good number of fans.

We at the Fish Pond wish him every success for 2013, and look forward to enjoying his material for many years to come.

You can view the video to “I Figured the World Out” here.

By David Mark Smith
www.globalmusiciansfishpond.com

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Sarah D – Power and Passion

From the humble town of Adelaide, South Australia comes the beautiful pop/rock artist Sarah Dokowicz.

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With a passion for music that shines through in all her musical endeavors, her new EP; Over You, is a combination of female strength and musical fun. Since the age of 9, Sarah D knew music was her last stop, and she continues to prove it to this day with her heart-driven desire to make a change through her voice.

Starting the album off right with an edgy/rock tune; ‘Stand Up’ is a no nonsense, attention grabber. With such a powerful lyric, you know this song was meant to make a statement. She has a very pretty falsetto that she brings in after the bridge, showing off her vocal range and dynamics she had hinted at throughout the entire song. Simple touches, like the combination of bass drum/hand claps, add a layer of complexity to the song.

Another up-beat number is; ‘Gone’. A great blend of edgy musical arrangements and vocals, it’s female activism in lyrical form. Starting off the first measure with a hint of reggae, it then makes a quick shift to a full-of-energy pop song. Steady rhythm and electric guitar play throughout, filling the song with lots to pay attention too. You will want to listen to it several times over to completely feel you heard all the little touches. Her vocals suggest influences from Pink and Kelly Clarkson, yet still keeping it original. Strategic pauses throughout the song leave perfect moments to take a breath, before jumping right back into the party.

In another shade of Sarah’s musical light comes; ‘Crying Over The Rainbow’. Starting off with a soft piano intro and simple lyrics, it sets a perfect mood to just settle in and listen to what seems to be a very promising track. Once the chorus hits, it proves to live up to intro expectations. Filled with a beautiful rise and fall, signature piano solos, and creative sound effects, it has just enough, without being too complicated and distracting from the warm tone of Sarah’s voice. Her lyrics take you on a journey through a difficult relationship, but in a relatable way, that will have many listeners singing along in understanding.

With a slightly different flavor; ‘Make The World’. Coming right in the first measure:

“I wanna make the world revolve around me”

Sarah demands the stage, and takes no hesitation to own it. A beautiful break down into the bridge, a slight pause before the final round of chorus, and the easy way she shifts from tender vocals to sassy flair, shows off a similar trail throughout the album, and puts a “Sarah” stamp on every song; the mark of a true artist. Finishing out the last song with an unedited laugh, it’s easy to feel the fun she had creating this EP.

It’s difficult to not instantly fall in love with this girl, the powerful message she brings through her lyrics, and the passion you can hear in her voice. Sarah D is one you won’t easily forget.

You can hear more of Sarah D here;

Enjoy her website here, and purchase the EP today here;

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Last Day Kiss – Fire Finds Freedom

Coming to you from Boston, MA is the talented duo of singer/songwriter Ashley Sonlin and guitarist/producer Juan Carreno.

Last Day Kiss

But don’t let their innocent smiles fool you into thinking they’re contestants; full of spunk and a blend of power vocals and complex musical arrangements, Last Day Kiss knows exactly what kind of contenders they are.

Kicking off the EP comes an edgy head-banging track; ‘Nice and Easy’ is a superb blend of raw emotion, edgy vocals and musical talent. Leading right off; a catchy electric guitar riff and vocals that have you totally sold right from the start. Throughout the entire song there’s a feeling of contained fire ready to be set free. The electric guitar solo leading into the chorus is the perfect touch, the climax hits:

“…all that I’m made to do, just gotta push through,
just gotta Live My Life”

…and the fire has found freedom. With a final round of the chorus and leads from the guitar the song has found completion. Juan has demonstrated how second nature runs and solos are on the electric guitar, in all the right places. The song comes full circle, and gives a power-packed track with skills much higher then expected. You can just picture these two belting this one out on stage, in full effect.

In a much softer light the two produce ‘Drowning’, a simple yet beautifully crafted piece. With just a piano and vocals, Ashley shows a much more tender side in her voice, and the immense control she has vocally. You can hear her lyrics pleading to listeners;

“hear me, listen to this song from my heart”

Not in an invasive way, but simply demanding a silence so you won’t miss a single beat. Filled with many unexpected notes, both vocally and musically, there is obvious thought to every detail. The melody leaves just enough room to be “in” the song and live the journey, without being empty. They successfully create a personal connection to the song, as if it’s being sung just for your ears only. As the song finds it’s closing, you may find yourself following the last notes of the piano, making you begin to anticipate where the music will lead, and expect the last note to fall lower on the scale; but it stops just shy, leaving your breath caught for that final release, and needing to hear it over again.

Showing yet another completely different side themselves in the last track; ‘One of These Days’. You can just feel the pure joy in this song, like she’s singing with a smile in her voice the whole time. With a very poppy and upbeat feel, you’ll be grooving along in no time. With this track they prove you don’t always need wild electric guitar solos, or sky-high notes to have beautiful musical craftsmanship and catchy, quality songs.

Through the entire album Ashley demonstrates a sort of sweet and sassy flair with her vocals, while Juan does an exceptional job musically as well as in production. The two make quite the duet, and to quote the lyric of their own song, these two are “not going anywhere.”

You can read more about Last Day Kiss on their profile here, or buy their EP here.

By Pranam Bai Richter, Head of Global Publicity, the Fish Pond

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My Lucky Fish – Best Thing

Straight off the East Coast, with roots in Britain, Canada, and the USA, comes My Lucky Fish with their first album “Best Thing.”

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A working progress for a full 15 months, major efforts were put into this album. Without question, it all paid off in obvious skill and craftsmanship of every track. From catchy pop/funk track; Bother Me, to soft ballad; Catch Me When I Fall. Dynamite vocals come from both male lead; David Smith (also on guitar) and female lead Rachael Schoellen (also on piano).

Their album-titled song Best Thing is a combination of jazzy flavor and funky groove. With beautiful harmonies from female vocal; Rachael Schoellen and male vocal; David Smith, Best Thing is a perfect blend of skilled musical arrangements and lyrical style. Starting off with a drum roll, the song comes in full force with energy. A steady foot-tapping rhythm throughout, with a steady build into the chorus, creates a signature song you won’t forget. A sudden pause in the second verse wouldn’t seem that significant, but it adds the perfect touch, proving the thought to each detail. Then a slight drop off into the bridge allows for yet another build into a musical jam fest of guitar solo and rock. Vocals coming back in at that point for a final round of the chorus, ending with just as much energy as it started with.

The real funk arrives with track four; Leave You. Starting right off with a bass solo, there’s no hesitation that this song, you will love. Rachel’s tender vocals glide in like a gentle summer breeze, but by the end of the first few lines she has you hooked. Starting into the second verse, you might take a double-take, An edgy rap hits full force, adding yet another layer to this already dynamic song. The blend is perfect, with neither singer over powering the other. The ending electric guitar solo is not only spot on hard rock, but the highlight to the song, leaving you wanting to listen to the entire song over again just to hear it.

Softening things up dramatically with a piano-based track is Change My Mind. A beautiful heartfelt ballad, filled with all the right touches of tender feelings, and raw emotion. Rachel demonstrates her range and ability to put just the right feeling in a song to make it an unforgettable song that may have you teary-eyed by the end. Not overly complicated, and a beautiful string solo in the middle, you can see the true craftsmanship throughout. The song drifts out in a romantic fashion, leaving the listener clinging to the shift in every last note. A true mark of musical talent and skill.

Offering yet another side to their musical style, yet still carrying that edgy flavor is; Butterfly. With a hint to the latin side, the intro guitar solo, which plays again throughout the song, creates the perfect setting of sultry desire. Rachel’s luring vocals drift through while David paints a picture with his raw-feeling lyrics. The song is filled with electric guitar solos, and impressive beat-keeping. With a good rise and fall through, the song takes you on a journey to some exotic island, with a forbidden romance between two long lost lovers.

Among the signature tracks on the album is a mixture of pop/funk style and killer guitar riffs, well executed musical bridges and thought provoking lyrics. The entire album gets you moving, and never has a dull moment. My Lucky Fish has done an excellent with production and fresh originality. The album is a strong collaboration, joined by Ricky Furr (Drums), Tom Graham (Bass) and Doug Sharpe (also on guitar) there is plenty of talent to make this album a real success.

Best Thing is one album that won’t make it to your shelf, because it will be playing in your CD player.

You can view My Lucky Fish at their website or on their profile, or go ahead and take the plunge – buy their album here.

By Pranam Bai Richter, Head of Global Publicity, the Fish Pond

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Queen Caveat – Mr. California

Queen Caveat is a perfect example of an in-your-face alternative rock band you just can’t help but love from the first time you witness them. Lauren Little, a gymnastic and graceful ball of hard-rocking energy, Ben Epand with his solid riffing and beautiful-sounding gravelly guitar, Will Weissman holding down the 5-string bass runs like a master, and rock-star skinsman Jesse Magnuson. Together, they bring you their new single, Mr. California.

Queen Caveat

I first came across Queen Caveat while channel surfing; on a weekday evening, suddenly there was an amazing sounding (and looking) band featured on ABC’s 20/20 special, Sunset Boulevard. My roots are very much in the rock scene, and I loved what I heard. Their music was punchy yet intelligent, well-written, and beautifully performed. Little wonder that they are highly acclaimed to continue to expand on their success into 2013 and beyond.

“Mr. California” is the lead out single from their upcoming 2013 album. Right from the guitar intro, you can tell something a bit special is coming; and after four bars, there it is: with a bang, everyone is all-in, committed to the song, and the pace is set for a driving and energy-fuelled 3 minutes and 19 seconds ahead.

Lauren’s voice is showcased so well in the verses (as is her amazing onstage performance in the video version, variously described as “maniacal” and “ferocious”; I’d maybe differ by describing her as “lively”, “unique”, and “honest”), with Ben’s beautifully-toned guitar ringing on, and Jesse’s drums pushing the vocal along, she spits the lyric;

“You said Miss Oklahoma, really love to know ya,
But only for tonight;
You’ve got my attention, and did I mention,
I am full of fight”

And she means it, too.

All this pushes us forward on the crest of a guitar-powered adrenaline wave toward an epic chorus, which in some ways takes me back to the heady days of Faith No More and “We Care A Lot”. Perhaps it’s the mood, the anger, and the massive open chords in the chorus that take me right back to the early days of couldn’t-care-less power funk-rock.

“I won’t listen to you,
I won’t listen to you,
nothing but blame, nothing but pain
in your heart”

Consistently they return to that intro, catchy as ever and providing a perfect tagline to introduce every  verse.

It’s angry as hell, and they perform it like they’re just not going to take it anymore. With every verse and chorus succession, the tide builds; I can close my eyes and see a stadium full of people jumping along to it’s pace. The bridge is nicely designed to temporarily slow the song down, with huge vocal effect and well-used feedback from the guitar. Musically, it’s brilliantly constructed – I counted 16 beats over and over but it’s not in 4/4 time anymore – 32 half-beats of same-pace carefully planned emotional mayhem, with some memorable drum-riffing from Jesse, before slamming into a pre-last-chorus instrumental.  By the last chorus, if you’re not either singing it with arms outstretched, air guitar-ing while posing like Slash, slapping an imaginary bass, or drumming along on the nearest available surface; frankly, what the bloody hell is wrong with you?

Much kudos to the quality bass-work, by the Berklee-educated Will Weissman, which underpins and drives the entire song as any self-respecting rock number should be. The bass in general is easy to overlook, generally because a really good bass player blends perfectly with the song; in this case listen out for it. His skill and musicianship is obvious, and frankly the song wouldn’t be the same without it.  On top of that he absolutely rocks it, flinging that bass around like a madman.

Mr. California is a huge song. These guys have worked and continue to work hard at their craft, are musically well-educated, and it shows; the whole band is a joy to witness. Lauren of course pushes the bar even higher, by providing a magnificently unique take on dress-code and performance, which makes their music and their message the more believable because of its raw honesty.

A great band, really nice people, and with material like this, born winners. The king is dead. Long live Queen Caveat.

You can hear Mr California on their profile page here.

You can view the video for Mr California here or just watch it below.

By David Mark Smith, Global Musicians Fish Pond

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Natania – Hope and Heartbreak

With her new EP, ‘Hope & Heartbreak’, Natania Lalwani has succeeded in bringing together a combination of solid songwriting and creative musical arrangement.

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Bringing experience from her roots in Mumbai, India, and her graduation from the Musicians Institute in Hollywood, she gives us a wide range of musicality and creative lyricism. Showing a very real part of her heart, Hope and Heartbreak takes us to a personal place in her life as she shares the many trials and triumphs of love.

Starting off the album with her debut single Cherry Love she instantly draws a smile with her whimsical lyrics, “you taste like sorbet on a sunny day.”

The playful mood she shows at the start of the song holds true for the full duration of the track, with the sweet accent of chimes throughout; hand-clapping filling the song after the bridge, you can tell that careful thought was given to every detail. While the catchy chorus “my cherry love, cherry love, cherry love” mimics the title, making it easily remembered, it also sums up the flirtatious lyric. Finishing the song with a “distant” round of the chorus, the song leaves you feeling joyful and ready to repeat; and ready to smile along with it all over again.

In the second number, ‘The Other End Of The Line’, Natania demonstrates the sensitive side of her voice. The first song on the album to talk about heartbreak, she does an excellent job of creating a rise and fall through the song. Instead of the lyrics being depressing (as some heartbreak songs inevitably are) Natania uses the soft texture of her voice to urge you to sympathize and understand her emotion, while her lyrics paint a compelling story in your mind. The soft steady rhythm slowly builds, with a sudden drop off into the bridge accompanied only by the piano;

“I thought I could understand it,
I thought I could see the in between bits of you and me.”

She then shifts gear into a powerfully high and beautiful “we tried like crazy, we tried like crazy” showing off the wide range of her vocal ability.

Once again she shows the vulnerability she has shared within the album on ‘Still Can’t Let You Go’. Bringing in male vocals from Ricky England, the duo feed off each other wonderfully to produce a beautiful harmony. The simple collaboration of guitar, vocals and piano for the first half of the song is simple, catchy, and beautiful. When the snare does come in, it’s not over complicated, but just enough to fill the song and make it complete.

Finishing off the album with a catchy track Baby You’re Beautiful. It starts off with some head-bobbing guitar work. The song lyrically presents questions to Natania herself, followed by answers from the purest feelings of love. Again she shows her wide range vocally as she effortlessly transitions into her falsetto, adding emphasis to key words in the song.

With a total of six songs on the album; including the bonus track, Natania gives a good balance of love versus loss. Throughout the album there is an impressive dynamic, including beautiful acoustic guitar finger-picking for the bonus track, ‘Carelessly Captivated’. Creating a warm and cozy feeling, this would be a perfect song to listen to on a cold winter night, while you’re curled up with that special someone.

Each track on the album has it’s own unique sound, leaving a distinct mark, and no two tracks leave the impression of being ‘samey’. Again, you can see the how much thought for detail was invested in each track, the production, and for the album as a whole.

The album is more than worthy, and overall a very pleasant listen. You can read more about Natania, and listen to a few of her tracks from ‘Hope and Heartbreak’ here.

by Pranam Bai Richter, Head of Global Publicity

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Mighty Bones – What Life May Bring

So how do you describe Mighty Bones? One word…passion (and perhaps, looking at their new publicity shot, “onesies”, if such a word exists). Out of Switzerland and just bursting with fresh new musical talent comes a group of four dynamic and in-your-face pop-punk lads. In this production, you can see their dedication to their craft and their desire to constantly surprise you with their wit and creative ideas.

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From the first time I saw the “teaser” for their new official music video for “What life may bring” – here – I knew these guys were the real deal.

With their fun-filled attitude and pop-punk musical style with some lovely alternative rock thrown in, they’ll have you groovin’ along from the first measure.

From the intro of edgy guitar and drums, the song hits you with energy and power, which lasts through the entire 3 minutes and 6 seconds of the track.

With such a feel-good vibe to it, the song is contagious; it’s impossible not to sing from the first hook:

“We all don’t know what life will show”
“We all don’t know what life will show”
“We all don’t know what life will show”

And we may not know; but musicians with heart and soul like this sure show us that they are more than in control of what life will bring to Mighty Bones.

You can hear the genuine fun these guys have with each other, the impressive and well-rehearsed way they interact with their vocals and instruments to bring you a great combination of electric guitar riffs and skilled beat-keeping, all the way to the well-planned wrap-up with an almost a capella round of the catchy chorus.

Without a doubt this is just the start of a long career for these guys, and I look forward to being a witness to their growth and what’s in store. Mighty Bones, you are a well-appreciated part of this global family.

You can read more about Mighty Bones on their profile page, here.

by Pranam Bai Richter, Head of Global Publicity, The Fish Pond

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